Mastering & Creating Your Last Mix Like the Pros (Mastering Process).

Normal locations of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Equalization: Often you'll want to adjust the eq or compression on a mix after you have actually done the last mix. Or you might have ten tunes blended by three different engineers in 5 various studios.

Each tune's eq may appear ideal by itself, but if you series them together, suddenly one tune sounds too brilliant (or too dull ...). Tip # 1: keep in mind that any eq changes to your stereo mix impact the whole mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, keep in mind to check how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not just to manage a mix or to add character, however likewise to "print" or send out as much level to the master as possible without clipping the signal.

Spacing & Crossfading.

Spacing: there are various philosophies regarding how one should approach the areas put in between songs on a record. Some feel the downbeat of one tune should fall at the start of a brand-new bar, in the tempo of the previous tune (to continue the flow.) Others think you should avoid this like the plague, since it diminishes the impact. In the end, do whatever feels. There is no standard. Cross-fade your tunes if you like, or place 6 seconds between them. (2-4 seconds prevails in many popular, non-classical records, however it's up to you.) Last tip: you may be inclined to master the very same recordings that you mixed, whether it is for monetary reasons, innovative factors, or merely since you can. We strongly suggest that you get somebody else to master your project. The neutrality and fresh ears they give the table invariably lead to a more powerful, more cohesive album.


Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between tunes. Or you might have ten songs blended by 3 different engineers in five various studios.

Each tune's eq may seem ideal by itself, however if you sequence them together, all of a sudden one tune sounds too intense (or too dull ...). Tip # 1: remember that any eq modifications to your stereo mix impact the whole Hip Hop Beats mix - if you want to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to manage a mix or to add character, but also to "print" or send out as much level to the master as possible without clipping the signal.

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